Wednesday, May 16, 2012

Guernica

With regard to this painting I try to hold on to my first impression of it. Not the first time I saw the image, the first time I saw the painting itself. During the summer of 1998 I lived in Spain and had the chance to go to the Reina Sofia and view the painting.

If I had to say it in a sentence I would describe Guernica as the most real painting I’ve ever seen. I would go farther actually, and say that it’s the most real thing I’ve ever seen.

The size of the piece creates an impact in and of itself. The second thing one notices is the overall sense of disorder that is put forth by the scene portrayed. The figure of the man dragging what is presumably his own leg is the first thing that I focused on. It is a grotesque thing to behold, but it’s only the beginning of our experience.

I must make the point clearly that the mural has been painted on a scale that can only be described as massive; the sheer size of Guernica is impressive. The mural on canvas stands over ten feet high and almost thirty feet wide (totallyhistory.com). The fact that Picasso painted this mural by hand on this scale is a statement in and of itself. It is an object that cannot be ignored and one that wrenches the attention of anyone in its presence just by its dominant stature in any indoor space.

The piece has the effect of making one feel small. It is almost the same feeling as standing at the foot of a mountain. It is a humbling feeling.

Guernica inspires another feeling though, a feeling of outrage.

The painting was created to commemorate the bombing of the Town of Guernica in Northern Spain. The resulting slaughter was one of the greatest massacres of the Spanish Civil war.

During my research on this painting it came to my attention that there is a reproduction of the mural at the United Nations in New York, outside the meeting room for the UN Security Council (Jayantha Dhanapala, 2002). The mural was covered up when US officials made the case for the war in Iraq.

                I am forced to wonder if it is still covered up when the members of the Security Council meet regarding the current situation in Syria. In my opinion one would do well to reflect on Guernica in light of the current atrocities being committed in Syria. The same barbarism that inspires the murder of civilians in Syria inspired Franco to murder the people of Guernica.

The overall scene is one of roiling horror. A bull assaults a dismembered donkey or horse. The man I mentioned earlier drags his severed leg. Darkness surrounds all, and the scene is presided over by a glowing light bulb eye. The figures in the painting are trapped in a building during a terrible event. A light can be seen at one end of the scene in the shape of a door. The light bulb eye seems to provide the only true light. The nameless horror that has just occurred has spurred the bull to attack the horse and dismembered the man in the foreground.

Through Picasso’s eyes we see all of this from all angles at once. The door is distant in the composition and the chaos is frontal and close. The bull is a normally docile farm animal roused to violence by pain. Much like the rebels of the Spanish Civil war in 1937 and much like the free Syrian army today the peaceful worker in the field is turned to violence and their violence is relentless and indiscriminate like the bombings of this week in Damascus.

In the actual bombing of Guernica German Bombers were sent by General Franco to stamp out the ethnic Basques in the north of Spain targeting the central town of their region. They used incendiary bombs to cause as much human casualties as possible (pbs.org). The attack was brutal and calculated. It would be reasonable to assume that the scene depicted in Picasso’s work is one of victims of the bombing attempting to take shelter in a building and finding themselves trapped. fall into a madness of panic and carnage.

Were I a member of the UN Security Council it would pain me every day to know a similar situation, albeit more drawn out and on a far larger scale was playing out in the Middle East and I was doing nothing about it. That painting that I had to walk past every day would accuse me and drive me.

The great Irish statesman Edmund Burke once said “Evil thrives when good men do nothing”.

In Guernica, Picasso says “This is what happens when good men do nothing”.

Nelson Rockefeller understood this when he commissioned the copy that stands outside the Security Council chamber from Picasso. He understood that this painting might be one of the most important paintings ever painted. Important because of what it has to say and how loudly it says it.

In the end it is impossible to put art into words. Does Guernica curry an emotional response? I hope it does from all who see it. Does Guernica achieve what it sets out to achieve? This is a more important question.

To me the answer is yes. The important thing to realize when viewing Picasso’s work is that the figures in Guernica look like the dreams I had as a child. I think they might be a lot like the dreams everyone had as a young child.

That is the beauty of Picasso’s work for me; his stretched and distorted figures look to me look not as if they were painted by a child but as if they were imagined by one. They look as if they were formed by an imagination less concerned with form and more with meaning, unpracticed at shaping the package of something but beautifully adept at portraying its soul.

This is what I love about Picasso’s work in general. It is also what makes Guernica all the more terrible and beautiful. The truth then about Guernica, my truth, is that it is not just the bombing it is a child’s eye view of the bombing. Perhaps a child who is about to die, many did. Or perhaps a child who will live on with the horror of that day in 1937 etched into their memory forever.

This painting does that for me; it disarms me and speaks to the child within me. It makes me feel small. It takes away my notions of proportion, time and distance.

Guernica makes me see, with the eyes of a child some of the worst horrors man can commit upon man.

That is all I have to say on the subject.



Friday, November 4, 2011

LM Note: I’m pretty sure it’s Brady Quinn time.

I’m pretty sure it’s Brady Quinn time.
There is an episode of the Simpsons where marge ends up owing the mafia money for helping to run her pretzel truck business. At the end of the episode her competitors enlist the Yakuza to fight the mafia and they all have a big fight on the Simpson’s front lawn. Marge drags Homer inside, Homer comes in reluctantly pointing out that “the little guy” meaning one of the yakuza, hasn’t done anything yet and you know when he does something it’s going to be awesome.
When I think of the Denver Broncos I think of their head of football John Elway; a guy who is pretty much a legend. I also think of their current crop of quarterbacks. First there is Kyle Orton, a mediocre QB with a decent arm but lacking the charisma of a Jim McMahon or the sublime skill of a Peyton Manning. He was OK let’s face it. Orton was only a hair below average.
Then we look at Tim Tebow. Tim Tebow is exactly the sort of player I don’t like. I think he’s thinking if he hypes himself into a starting QB job he can stick around in the league for a while and make some money. The simple fact of the matter though is that he is a decent athlete but a terrible QB. He muffs throws that Orton could have made in his sleep.
Sleep now that’s the operative word in this missive. Sleep is something to do with the third guy in the rotation. Now I’m a notre dame fan, I’m not going to lie. Notre Dame Quarterbacks don’t usually do well in the NFL. I know this, I accept it. But there are certain players that I have championed, in my time. Jerrome Harrison for one is a player I have been a big fan of. But there is no one I think of as having untapped potential more than Brady Quinn.
2005 Brady Quinn Throws for 3919 yards and 32 touchdowns
2006 Brady Quinn Throws for 3426 yards and 37 touchdowns
2008 Tebow throws for 2747 yards and 30 touchdowns
2009 Tebow throws for 2895 yards and 21 touchdowns
Who is the better quarterback? Bearing in mind that Quarterbacks throw the ball and the wildcat sucks as a general strategy, it only worked once.
On a team with Eric Decker, Demarius Thoma, Daniel Fells and Eddie Royal why would you attach the ball… nay stick the ball to a ponderously slow and inaccurate passer who cannot get the ball to your play makers? Why not Brady Quinn?
Well some might answer Quinn sucked in Cleveland well I contend it was the Offensive line in Cleveland that sucked. Quinn had a completion percentage over 50% consistently in Cleveland, better than Tebow’s, he wasn’t bad there. He was underserved by the team around him.
I think Brady Quinn can be a really good Quarterback; maybe not Peyton Manning but definitely good. Now if John Elway wants someone who he can pass on his knowledge to, of the three of them Orton, Tebow and Quinn, I think Quinn would make the best heir to Elway’s greatness.
Denver doesn’t need a QB who can be unorthodox and use them as a stepping stone on his way to public office, on his way to building a brand. They need a quarterback who is interested in the game of football.
Tebow is not interested in Football he has his own agenda I say leave him to it, he suck’s as an NFL quarterback anyway.
I think its Brady Quinn time.

Tuesday, November 1, 2011

Omnipotence

Omnipotence
When doctoring someone else’s work it is very easy to assume omnipotence. I would like to think I’m good at specifically script analysis. I tend to be very attuned to the needs of a story but if I get a pleasure from the process its hearing the writer’s perspective on my comments. Because the two groups of people that I work with like this are so smart and so incredibly apt at reaching for their goals it humbles me.
One script I read this week was pretty amazing. It tapped into a lot of things going on in my life right now and after the two hours or so it took me to read it I was very pleased with the experience. That’s great when that happens. I let it ruminate in my head and made a couple of suggestions to its author with regard to character and story structure and the reply she gave me was really cool. It was like yeah those things will make the story work but the crux of it is this…
And I’m like ‘wow what she’s trying to do here is really fucking awesome’.
What she was trying to do was show character growth. She was trying to show in one instant that her heroine had become the person the audience wants her to be and knew that she could be. I have never tried to do that. I’m an amateur in a lot of ways and I see that. I didn’t go to school and I haven’t written as much as some other people.
Having started the fourth draft of my novel I think I will endeavour to do this in that text. I am going to try it with one of the characters, the most important character and a character that, up until now has been very one dimensional in an almost George Lucas-esque manner.
This is why I say when my friends and family write it inspires me to write. We all have skills and qualities we bring to the table, I am idiosyncratic. I don’t like to let words like nice or things slip bye when I can be specific, I know that that is laziness. I can’t spell. I work in fits and when those fits are over I have a tough time sifting through the mess to bring out anything workable.
I am messy, but I am messy like a hurricane.
My brother and my aunt are both very deliberate. They write on intellect I write on emotion. I literally feel my way through stories. They think their way through, its very different and I admire their ability to do that. I think writing would be easier for me if I could do that.
But if I could do both I’d be omnipotent.

Tuesday, October 25, 2011

League Manager Note: Shanahanigans

 I watch the movie blue velvet often. I think it might be one of my favourite movies. Dean Stockwell in makeup swaying to Roy Orbison while Denis Hopper huffs god knows what out of a gas mask. Good clean fun in my humble opinion.                

The characterization therein is what fascinates me about Blue Velvet. The sullied broken characters like Frank Booth that inhabit the movie are so clear, so vivid and the bland “good” characters so terse and unappealing. The whole thing brings David Lynch’s vision crashing home so very smoothly.                

Characterization is also why I like football, most especially football coaches. These guys are the modern day equivalent of warrior monks. They spend all day week in week out living football. Many have spent their entire lives being bred and trained to be coaches. The Ryans & Belichick would be prime examples of men whose entire lives have been football. Whose fathers were coaches and they are coaches.              

It is then that I sometimes question what this does to them as people. Rex Ryan’s foot fetish video, the Harbaugh and Fox brawl that almost was, Mike Shanahan in general. I think there may be something essentially wrong with the super ego of these men that makes them different to the rest of us. The rest of us when we flex our super ego we layer multiple things like ‘did I pay all my bills?’ or ‘did I bake those cookies for the PTA?’ and the more of these things we have achieved the better we feel… in general.               

NFL coaches have one thing on the super ego list: “Did I win this week?”               

If the answer to that question is yes then all is good with the world and they can focus on what they were bred to do, what they were designed to do; coach a football team. If, however, the answer is no, then their entire world starts to degrade and everything they are comes into question until the next win is achieved. For the true coach this is what happens in any case. I’m sure there are coaches in the NFL that actually can sleep at night if their team didn’t manage to beat the Saint Louis Rams that week, I just don’t think they last very long in the realm and age of Belichick.                

This incredible stress leads to a colourful cast of characters. From the dignified but dressed down affectations of Bill Belichick to the ineffectual melt downs of Todd Haley to the poisonous curmudgeon that is Tom Coughlan. I love to watch coaches. The one coach I hate is Shanahan. He is the NFL’s answer to mayonnaise. I hate his attitude toward players I hate his lack of insight and I hate the fact that no one of the players on his team is ever a reliable play come fantasy football Sunday. I recently traded [in the auction league] for Ryan Torian and Tim Hightower as my backups for injuries to my two front runners Rashard Mendenhall and Fred Jackson (yeah it’s like that) and have been faced with the dilemma of being kind of left behind by Shanahan when I have to make that substitution (this week) and now I hate him even more.               

So I said all that to say this: Shanahan Sucks.               

That is all, best of luck this week everyone!

No Passive Characters

Passive Characters are a weakness in writing. As I write I am figuring this stuff out. If a Character is not doing something he is no a part of the story and therefore should not be written about. Characters who are just standing there doing nothing except piping in with exposition are death to a narrative.

I started to truely realize this not because I wrote a bunch of characters who did jack shit in a lot of scenes but when I started to religiously give characters something to do. This is something I started trying conciously this morning in fact, and it helps greatly. If a character is immobilized either physically or socially they must be aware of it and uncomfortable about it. A king sitting on a throne for example might have a sore arse.

A more pertinent example would be the bad guy high priest in Murder House Warriors. In earlier scenes I had him sitting off to one side doing very little. That made it difficult for me to expand upon his character it gave me few opportunities to frame him so he was very generic.

To fix this I have made him, in the current draft, the master of ceremonies when I introduce the other focal characters of this sequence of the book. He makes a big entrance and is presiding over the ceremony in question and being kind of a dick and gets told off a little bit by Enhengal. There is now tension in the scene Shirrock (the high preist) is prodding and being prodded back the reader is hence entertained.

and that's the most important thing

Friday, October 14, 2011

To The Guy Cian Punched in the Toilet in Fibbers

In a cave of a hole
Under the dance floor
In a happy time
In a shitty place

I heard you cast down
Some poor bloke
Onto the piss-covered floor
And kicked and kicked
Till perhaps he was dead
Or your violent urge was fed

But then came a high minded fist

Launched from noble drunken intentions
That sent you airborne and down
After you hit the door
and now you know what it is like to hurt
in the piss on the floor in the toilet in fibbers

And I saw you
and laughed
Because just once
Goodness prevailed
and I can believe
In honor again

Monday, October 10, 2011

Stories for Boys

I've written a few short stories and I'd also like to post them here
Here's the first one:
No Left Turn
Tom Drove away from the Diner. At first he kept his foot hard on the accelerator then he realized he was over the speed limit for a non-residential two-lane highway and he slowed to forty-five. After all, he wasn’t being chased. He’d just had one of those weird experiences. Something in the food… he started to retch then he banished the unbidden thought from his mind, he looked around. The landscape outside the car was dark and silent under the cloak of night.
There were no stars or moon it had been cloudy all day. He didn’t know which way he’d taken leaving the diner. He didn’t care; he would just get to the next hotel and get his bearings in the morning. There was a sign coming up on the left. As he approached it he saw it was a ‘no left turn’ sign. He cruised passed it. As he did so he caught sight of movement at the corner of his eye under the sign. He dismissed it as a raccoon or opossum and continued on not knowing quite where he was.
As he drove he noticed the scrub at the side of the road it was red. Not just normal red but a clashing array of sickly reds like bedsores and rotten roses. He was distracted by the approach of another sign. Again it was a ‘no left turn’ sign and there was something moving at the bottom of this one too but he couldn’t make it out. The grass was definitely red, he was sure of it. The car passed the sign and its forbidden turn. The red grass waved at his passing.
He should have run across even a beat up shitty gas station or something by now. It unnerved Tom that he had seen no signs of civilization. All he had seen so far were the signs and the grass and a suspicious movement beneath the signs. There was another sign coming up on his left. As he passed it he looked in his rearview mirror. The sign itself was moving; it was undulating away from the side of the road as if some small man were carrying it.
Tom put the brakes on. The car came to a screeching halt on the two-lane. He turned around in his seat and looked at the sign. Indeed it was moving and he saw a small shape at the foot of the sign that was only a shadow in the gloom and the red brake lights. But it looked like a small man shaped creature was carrying the sign like a banner away from the road. A short expletive escaped his lips and he thought about his grandmother’s tales of leprechauns and fairies scampering around the wilds. Then he thought about what happened in the diner and realized that he was probably under the influence of some sort of hallucinogenic.
Thump! Something landed on the top of the car. He was still looking in the direction of the sign and he turned around in order to open the door of his car and investigate the noise when another thud sounded this time on his hood. He turned and found himself staring into the blank red gaze of a creature that could not exist in any sane man’s reality. The thing was about four feet tall and green. Its body was thin and spindly the skin was lumpy and scaled in patches. Its head was too large for its body and consisted mainly of a lipless maw like a shark’s full of large fetid yellow teeth that, despite their level of disrepair, looked deadly sharp. Its ears were dog-like and pointed and the thing’s eyes were red like rubies on black velvet.
Tom did not think he just acted. He hit the accelerator and the car screeched off down the two-lane, screaming all the while at the top of his voice. The creature was thrown into the windshield and over the car, on his way he hit his friend on the roof of the car and they both fell in a heap behind the vehicle as it roared away. In the rearview mirror Tom saw them get up and run after him but they couldn’t match the car for speed or stamina. Tom sprayed the windshield and turned on the wipers to get the residual green drool off the spot where the creature hit.
 As he continued along the road at about fifty now hoping that he would see something that signaled he had reached the end of his nightmare. Instead another sign loomed by the side of the road and sure enough one of the creatures could be seen crouched at the bottom, keeping it upright. He knew this was bad he was insane; there was no other explanation for it.
They were hunting him, and they had done their homework. Tom never broke a traffic law he drove ten under the speed limit, much to the ire of his fellow drivers. He never drank and drove, or even took drowsy cold medicine or even drove tired. He always waited three seconds at stop signs etc… etc… etc…
He knew the complete traffic law manual of every state he had ever driven. Why? Well, why is the sky blue? Why is the earth flat? Why is it on the back of a huge turtle? Why do men pretending to be cops pull over young couples with three-year-old sons and rob and kill them after raping the mother? Bad things happened to good people, but Tom wouldn’t think about that, while little gremlins were stalking his car in the night.
He would not think about the round police light like a big jelly tot spinning out red white and blue across the desert road. Rough men in leather jackets throwing him into the culvert at the side of the road never entered his mind while he was driving. His mother’s screaming did not ever dwell in the sharp report of the horns that strafed by him as he white-knuckled it down two lane highways at thirty miles an hour. Men had pulled them over had killed his parents and he never wanted to be pulled over again. Now the creatures would keep him on a never-ending road ‘till he ran out of gas and he would die. He couldn’t see a thing like that giving him a hug and making him some hot tea.
Had this experience not been surreal enough a series of signs were approaching on his right as he drove on through the night. It was a message from the things. Words were painted on the signs in series they read:
            “TOM-PULL-OVER-AND-WE’LL-MAKE-IT-QUICK”
They went by at such a speed that they formed a sentence. Tom almost lost control of his bladder. They knew who he was and they definitely wanted to kill him, he imagined their sharp teeth pushing mercilessly into his muscle tissue while he was still fighting for his life. If he got out of this he swore he’d use the interstate system in future forty-five mile an hour minimum or no.
He feared and hated driving, that’s why he got a job as a traveling salesman, because he wanted to overcome his fear. So he’d drive all day, Peoria to Carbondale to the quad cities and on back to Chicago where he lived. At a rate and with a style that inspired near psychosis in those that shared a road with him. Many times in his career people had pulled him over just to rail at him twice he’d been physically threatened.
The first guy just pushed him but the second had gotten out of his car and walked up to Tom. Without saying a word he took out a gun and pressed it to Tom’s temple for a second, hard enough to bruise. Then he’d just turned and got back in his car. Tom reported it to the police but they never caught the guy, he was almost glad of that. Ever since that day he carried a Beretta 9mm pistol in his glove box.
It seemed now that the constant stress of driving had turned an acute disorder into Tom’s own full-scale psychotic delusion. The creatures were now all around him, dozens of them racing along the side of the road, daring him to do anything but what he was doing. Keep driving Tom; keep getting more lost, keep running out of gas. He was insane of course, or drugged, these things could not exist in reality only in his sick, tortured mind.
He wanted to scream, in fact he would be screaming was his throat not sore from is earlier endeavors at this activity. It was mid-October outside and the interior atmosphere of the vehicle was by no means warm but Tom was drenched with sweat. He had not seen another car since he left the diner, nor a person nor any other sign of life but the goblin creatures. This was of course not real, but in any event he did not stop driving the car.
That shitty little diner was where it started, Peggy’s Place. He couldn’t have gone to McDonalds or Denny’s or somewhere equally as bland where he’d have been safe. Instead he went to the diner in the twilight zone. When he met Charlie, which was where this had started.
It was a terrible little place just off the two-lane in the middle of nowhere between hotels, but Tom had been hungry. In fact he couldn’t remember ever in his life being hungrier than he had been at that moment when he saw the sign for Peggy’s. The sign said “gud eetz” he couldn’t even now resolve whether this was an attempt at witticism, a lack of effort at spelling or a simple lack of the ability to spell.
He’d pulled in and walked up the steps it was one of those big aluminum trailer looking things, you see in old movies. That was pretty cool, he thought, and who knew the food might be really good. At that point though he didn’t care, he’d have eaten carrion. He walked in and sat down at the counter. The young man, who made up the total patronage of this establishment, eyed him as he sat down. Tom smiled at him and he smiled back surprised.
“What’s good in here?” Tom asked hoping to avoid a bad meal, as he was very hungry.
“Well Caleb’s cookin’ so the eggs should be safe then there’s the bacon that’s real good. Man that’s good eatin. Stick with eggs’n’bacon man you can’t go wrong. S’my advice anyhow.” The kid was good-natured enough if not incredibly bright that much was plain and he had about him a knowing air, a kind of guile. He seemed to be the sort of person you don’t play cards with if you like winning.
The cook came out and took Tom’s order of bacon eggs and coffee, a double helping of both food items.
“So where ye from mister?” The scruffy youth had taken an interest in him. Tom extended his hand and looked at him. He was about nineteen with long mousy brown hair. He wore a flannel over-shirt, a red STP cap and a band T-shirt that was so faded Tom couldn’t recognize what it said.
“I’m Tom, I live in Chicago.” The youth took his hand and shook it firmly.
“I’m Charlie, I’m from here. You’re from Chicago like you grew up there?”
“No I grew up just outside Peoria, on a farm, with my grandparents.” Charlie’s eyes brightened.
“Wow a farm! Was there a barn? Was there like sheep?” At the mention of these two particular attributes of farm life Tom’s face darkened. Why did the kid have to pick those two features of farm life? The precision of the comment shocked him. Even before he found his grandfather that day he’d hated that barn.
“Something I said Tom?”
“No I just had the worst barn in history on the farm I grew up on. It kept falling down and it was my job to nail up the bits that fell off it. Every night I lie awake listening to the crashes from outside and then in the afternoons I’d go out and fix the damage. I hated that barn. I’d spend so long every day fixing it that I never did anything else but homework. Not that we had any neighbors anyway.” Tom had never had many friends growing up, that was why he’d stuck with sales so long. He got to meet people in his job and he liked that it gave him a feeling of belonging to something that he’d never experienced and he was good at his job.
“Why did the barn keep falling down?” the kid was a curious one he’d admit that.
“Well there was wind and there was the fact that, in his younger years my grandfather had built an indoor bathroom using support beams and planks from the barn. That didn’t make it the most stable structure in the world. Then there was the carpenter ants, there was more carpenter ants in that barn then was in the rest of the state of Illinois.”
Then there was the harness there was this rig hanging form a pulley in one of the joists and it was always cleaned and oiled. Tom asked his grandpa about it one day and he said it was just an old piece of equipment that had always been there. Well one morning Tom woke up and his grandma was in his room standing over his bed. She said his grandpa had not come in from the barn last night. She hypothesized that he’d gotten drunk and passed out there. So she asked Tom to go out and get him.
Tom went into the barn and found his grandpa. He was on the ground with a Jack Daniels bottle in one hand and a grimace on his face, his eyes were wide open and staring at the roof, which Tom had pounded more than three thousand nails into by hand. He was dead. The disturbing part of this scene wasn’t that he was dead though. It was that his pants were down around his ankles and hanging from the harness, dangling there at waist height was a sheep.
A three-year-old yew to be exact, he called it Camilla. The corner said that the sheep had kicked him in the balls, he’d let go of one of its legs to take a swig of jack and that’s what gave him the heart attack. Tom thought about the moment the coroner had told his grandma how her husband had died how it was like he’d seen it many times before. Tom imagined a check box on the death certificate beside the words “Sheep Sodomy Related Death”. He sat in silence for long minutes looking into space.
 At this point Caleb the cook put the food down in front of him.
“There ye go paisan, enjoy.” Caleb sounded distinctly like the godfather.
“Don’t mind Caleb, he thinks he looks like Marlon Brando but I says the only thing ‘bout him that looks like Brando’s his Belly.” Caleb scowled at Charlie from the recesses of the kitchen as Charlie cackled wildly on his stool. Tom continued with the conversation between mouthfuls of stodgy comfort food.
“Was that all? About the barn I mean.”
“I found my grandpa dead in there.”
“How’d he die?”
“A sheep kicked him in the balls and he had a heart attack.”
Charlie stared at Tom for some time in abject amazement and shock and then quite suddenly he began to laugh.
“I’m not joking.” Tom was really taken off guard.
“I know!” Charlie managed through gales of laughter.
“I’m sorry man I just…” After a while he managed to get a hold of himself.
“Jesus man that’s fucked up. How old were you?”
“Ten.”
“So why did you live with your grandparents what happened to your mom and dad?”
“They died in a robbery. Two guys pretending to be cops pulled us over in Arizona.” He looked away not sure what to do with his mood at this moment.
“Christ man you’ve had a messed up life.”
“I’m sure that there are people with worse ones.” It was at this point, that things started to get really weird.
He started to eat again; he put a forkful of egg in his mouth and felt something squirm around on his tongue. He spat the mouthful onto the plate and saw a black moving object in the mess. He ran into the bathroom, locked the stall and vomited long and hard. When he was done he opened the door of the stall and saw Charlie standing there.
“Gotta piss.” Charlie said.
“But there’s a urinal right there.” Tom walked over and washed his mouth off at the sink.
“I have to do it sitting down; it comes out in two directions. Like a birth defect I guess.” Tom stood there looking at him full sure he would start laughing, he did not.
“Hey Tom I think I can help you man. I feel bad about my call on the eggs. I got something you ain’t gonna like but it’s gonna help you big.” He’d grabbed Tom’s arm and would not let go.
“Just remember life’s about doing what you need to do no matter what.” Tom violently pulled away and ran out, behind him he heard Charlie call after him.
“That’s the spirit Tommy boy do what you gotta do!”
“Food’s on the house paisan.” Caleb said as he hit the door with no intention of paying.
Now he was on the road with the little mouth creatures. Well he’d do what he needed to do all right. He leaned over and took his Beretta out of the glove box. He’d take fourteen of them with him and save the last bullet for himself. First though he’d really do what they didn’t expect.
After a lifetime of following the rules and doing what he was supposed to, not only did he turn at the next left on that long empty road but also he went through the sign and the little mouthy bastard holding it. Tom turned left, and it felt good.
He was on another road now, it was early morning or late evening he couldn’t tell which and there was another car behind him in the red of his rear lights he could see it was an old Honda; a really old Honda that seemed to be in surprisingly good condition for a car from the seventies.
Then it happened, the Honda turned on police lights. He wasn’t going over the speed limit; he wasn’t doing anything illegal in fact. He knew this because he knew all the rules of the road. What’s more Tom knew something even more important; cops only bought American. He pulled over so fast that the Honda overshot him then he got out of his car walking toward the white Japanese car, Baretta in hand. The two men inside got out and just as he thought they were not uniformed police.
“Sir could you please get back in the car?” the one that said this made his last mistake by flashing his empty wallet in the full glare of Tom’s headlights. Tom raised his weapon, took aim, and released two lead slugs that impacted in the head of one and chest of the other. He’d been to the range enough to be considered a good shot, but anyone familiar with firearms would have called his motion and execution sublime.
He did not hesitate, he did not think he just did it, raised the weapon took aim and fired. It was an action that had been waiting in his limbs and spine his whole life, breeding and growing, completely independent of his brain. He was not in the mood to be robbed and killed. He was tired he was scared he was angry and he just wanted to go home. He was sure this was a hallucinogenic nightmare from the eggs or something, maybe Caleb cooked with peyote. That would explain everything, Jesus he hoped that was it.
The men he’d killed lay silent on the asphalt and dirt. They were already starting to attract flies. The engines of both cars were still running. Behind him in the twilight of morning, he knew now it was morning because it was getting brighter, buzzards were rising on the thermals. Breakfast was served. He looked around for the goblins but they were nowhere to be seen. He flicked the safety on the Beretta, better safe than sorry.
He got back in his car and started driving. This was definitely the desert, how the hell did he get here? After about a half-hour he pulled over and fell asleep, upon waking he found himself outside his apartment building in Chicago. His neck was stiff and his mouth was dry. Maybe it had been all a dream. He looked over in the empty glove box and then saw the gun on the floor. He checked the clip, there were two bullets missing, the safety was on and the shell casings were not in or around the car.
He had discharged two slugs at some time during the night and he did not believe that it was at two robbers in the Arizona desert. That meant he may have shot someone completely innocent under the influence of whatever they’d given him in Diner. He’d go and turn himself in to the authorities just as soon as he had a shower, he decided. They’d blood test him to find out what had been administered in the eggs, his money was on Peyote.
In the apartment he looked at around as he took off his shirt. There was a message for him on the answering machine. He hit play the first message was from his work buddy Kurt inviting him out to watch the game on Sunday. Then the machine clicked and the next message started playing. The voice on the other end was casual and matter of fact, yet of all the things he’d experienced in the last twenty four hours this was the one that truly threatened his grip on sanity.
“Hi Thomas, its Mom it’s your sister’s birthday you’ve probably forgotten so I took the liberty of getting you a card and a gift certificate to that store she likes…” The message went on in the otherwise silent apartment like a tiny clergyman orating at some momentous occasion. After a few moments his now alive mother’s voice on the answering machine was joined by Tom’s sobs.